The Dalia Quartet brings together four established musicians, each with diverse backgrounds as soloists, orchestral and chamber musicians. The Dalia Quartet was born out of their desire to explore the string quartet repertoire in depth, and to share its extraordinary complexity and unique intimacy with audiences.
Its members have thriving careers in the orchestral world as members of Mahler Chamber Orchestra, Lucerne Festival Orchestra, Camerata Bern, Da Camera and the Dortmunder Philarmoniker.
As a testament to the enthusiastic response to their initial concerts in Barcelona and Cervera in 2014, the Dalia Quartet was quickly invited to perform in distiguished festivals and halls such as the Schubertíada in Vilabertran, Enclave de Cámera de Orense and l'Auditori in Barcelon. In addition to their continuing residency at the Teatre de Sarrià (Barcelona), upcoming performances include debuts in the Petit Palau (Barcelona), Auditori de Girona presented by Ibercàmera, Fundación Juan March (Madrid), Sociedad Filarmónica de Bilbao and in Sofia (Bulgaria).
Elena Rey is a founding member of the Dalia Quartet and Trio Lorca. Winner of various competitions, she has developed a career that includes both solo and chamber music engagements with a wide range of artists.
Elena is a member of Orquesta de Cadaqués, Orquesta Da Camera and BCN216, has been invited principal second with orchestras such as Orquesta del Palau de les Arts and Orquesta Sinfónica de Castilla y León among others. Her interest in other genres has led to her collaboration with Silvia Perez Cruz in “Entre Cuerdas,” a project that encompasses wide ranging styles, from flamenco to jazz.
Born in Barcelona in 1986, she began her musical studies at age nine with Mª Victoria Fernandez, and then continued with Gonçal Comellas, Kai Gleusteen and members of Cuarteto Casals. She later studied with Yuri Volguin and Zakhar Bron at the Escuela Reina Sofía. She plays on a José Contreras (1770), generously on loan to her from Luthiería Tarapiella S.L.
Oleguer Beltran Pallarés (1984) concluye sus estudios en la Universität der Künste de Berlin bajo la tutela de Axel Gerhardt. Ha desarrollado una intensa actividad en le terreno de la música de cámara, de la cual cabe destacar el aprendizaje con los cuartetos Casals y Artemis y numerosos conciertos concursos y grabaciones. Miembro del Natalia Ensemble. Ha colaborado con algunas de las principales orquestas españolas. De 2009 a 2013 fue solista de segundos violines de la Orquesta Gulbenkian de Lisboa. Desde 2013 es asistente de solista de segundos violines de la Filarmónica de Dortmund.
Oleguer Beltran Pallarés is a founding member of the Dalia Quartet and Natalia Ensemble, and is Associate Principal Second Violin of the Dortmunder Philharmoniker, member of Orquesta Da Camera and a regular guest with Orquesta de Cadaqués.
Previously, in addition to his membership in youth orchestras such as JONC, JONDE, EUYO and GMJO, he was a regular collaborator with the most prestigious Spanish Orchestras (ONE, Sinfónicas de Galicia and Navarra) and, from 2009 to 2013, was Principal Second Violin of Orquesta Gulbenkian de Lisboa.
Born in Prat de Comte en 1984, his musical studies began the at the Municipal School of Music in Cambrils, followed by the Vila-Seca Conservatory and ESMUC, where his teachers included Eva Graubin and Cuarteto Casals. He completed his studies at the Universität der Künste de Berlin studying with Axel Gerhardt and members of the Artemis Quartett. He has been awarded fellowships from the Humboldt Foundation and is winner of various competitions. Oleguer performs on a violin made by Peter Westerlund from 2006.
Anna Puig Torné has been a member of the Mahler Chamber and Lucerne Festival Orchestras since 2009. She also is principal violist of Camerata Bern and guest principal with orchestras such as Maggio Fiorentino and Orquestra del Gran Teatre del Liceu among others.
In addition to her orchestral activities, Anna is a founding member of the Dalia Quartet and frequently performs at chamber music festivals where she has the opportunity to work with other great musicians. Demonstrating her avid interest in popular music, Anna is also a member of PortKlezmer, a group that communicates with its audiences through the exploration of tradition and experimentation with Klezmer music.
Anna regularly participates in educational projects around the world and collaborates with organizations dedicated to the integration and education of children at risk of social exclusion. Her participation in these projects has brought her to Brazil, India and South Africa.
Born in Cervera in 1982, Anna began her musical studies at the age of five with Paul Cortese and later continued her studies at the Hochschule für Musik Hans Eisler in Berlin, studying first with Walter Küssner and later with Tabea Zimmermann.
Erica Wise is a founding member of the Dalia Quartet and Funktion, and member of Trio Lorca. As soloist she has worked with conductors Michael Stern and Keith Lockhart, among others, performing at the Aspen Music Festival, and at Jordan Hall in Boston, MA. A passionate chamber musician, she has enjoyed collaborations with artists such as the Quiroga and Henschel Quartets, Anthony Marwood and Antje Weithass.
A strong advocate for music composed in our time, she has given both international and national premiers of works, either as soloist or as part of Funktion. Some of those composers include Yuval Gotlibovich, Joan Magrané, Octavi Rumbau, Tristan Perich, Roger Goula, Jakob Kirkegaard and Hanne Darboven. A highlight of 2015 for Erica was performing all of Darboven’s “Wunschkonzert” for solo cello at “Haus der Kunst” in Münich during their Darboven retrospective.
Erica began her musical studies at the age of five, and the cello at the age of nine, while living in Göttingen, Germany. She received degrees from the Peabody and New England Conservatories before studying baroque cello at CNR in Paris as a recipient of the Harriet Hale Woolley Fellowship. Her main teachers included Ronald Thomas, Colin Carr, David Simpson, Larry Lesser and Gary Hoffman. She has also been greatly influenced by the teaching of Ferenc Rados.